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作 者:戴瑶琴[1]
机构地区:[1]大连理工大学人文社会科学学院中文系,辽宁大连116024
出 处:《南昌大学学报(人文社会科学版)》2015年第1期14-20,共7页Journal of Nanchang University(Humanities and Social Sciences)
基 金:教育部人文社会科学研究一般项目"美国华语电影研究论(2000-2015)"(12YJC760010);辽宁省社会科学基金项目"辽宁籍欧美新移民作家作品研究"(L09DZX016)
摘 要:在欧美新移民小说中,除一定规模化的"上海叙事"和"温州叙事"之外,中国东北也成为有特色的文学存在。东北的地域风情和文化特色被书写、开发和再造。创作者从土地和人两个角度,向世界展示中国东北的地缘风貌。新世纪以来的欧美新移民小说除延续将"风俗画、风景画、风情画"作为基本的艺术维度和美学构思之外,还强化东北人和东北文化的野性、自由、包容度和生命力。Among the overseas Chinese new immigrant novels, narration of Northeast China has its unique feature even if compared to the "narration of Shanghai" or "narration of Wenzhou" which has been well known. It focuses on the description of the regional customs and cultural features of Northeast China, and usually also mixes the innovation and renovation. The authors propagate the regional customs and landform from two aspects,i, e. , land and people. The overseas Chinese new immigrant novels since the 21 st century not only inherit the artistic dimension and the aesthetic ideas of the social customs, the natural landscape and the local ethnic flavor, but also further emphasize the wild power, freedom, tolerance and vitality of Northeast people and their local cultures.
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