毛声山《第七才子书》对《琵琶记》的批点  

Comments on Legend of Pipa from The Seventh Talent Book by Mao Shengshan

作　　者：俞为民[1] 

机构地区：[1]温州大学人文学院,温州325000

出　　处：《文化艺术研究》2014年第4期88-108,共21页Studies in Culture and Art

基　　金：2010年度国家社会科学基金艺术学重点项目"中国古代戏曲理论史通论"(批准号:10AB002)阶段性成果

摘　　要：清毛声山的《第七才子书》是众多《琵琶记》评点本中的一个重要评点本。毛声山将《琵琶记》命名为《第七才子书》,以显示其成就高于被金圣叹命名为"第六才子书"的《西厢记》。毛声山认为,高明的《琵琶记》所写虽为东汉的蔡邕,但实是为讥刺作者友人王四而作。在对《琵琶记》的具体评点中,毛声山结合剧中的具体情节与人物形象等,对《琵琶记》的创作方法和艺术特色进行了总结与论述。The Seventh Talent Book by Mao Shengshan in Qing Dynasty is a crucial collected essays on Legend of Pipa among many. The reason why Mao named it as The Seventh Talent Book was to show its achievement surpassed The Romance of West Chamber, the so called sixth talent book nominated by Jin Shengtan. Mao held that it was the leading character Cai Yong who Legend of Pipa depicted, but it was intended to satirize the author＇ s friend Wang Si. Combined with the play＇ s plot and figures, Mao summarized and discussed its writing technique and artistic characteristic.

关 键 词：毛声山 《第七才子书》 讥刺说 《琵琶记·参论》 

分 类 号：I207.3[文学—中国文学]