清代后中国文学的历史定位  

Historic Orientation of Chinese Literature in Post-Qing Period

作　　者：范钦林[1] 

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2015年第1期57-63,共7页Journal of Nantong University:Social Sciences Edition

基　　金：国家社科基金一般项目(10bzw096)

摘　　要：清代后中国文学的史学定位在现代文学内部划分为民国时期文学和共和国时期文学。与现代文学的意义概念不同的是,民国文学和共和国文学在中国现代文学的框架内都仅仅是一个时间概念。放弃文学史研究的整体主义努力,以多样主义或归纳主义的心态面对历史。中国现代文学的起点在1912年为各种争论的最大公约数,各种起点事件均看着是与起点联系的相关事件。先锋与常态的理论发现为一体两翼的成立找到理论依据。"民国机制"与"民国文学机制"的提出拓展了民国文学的研究思路,但本身却是可商之论。如果我们将民国文学机制改变为"民国文学环境"或者"民国文学生态",那么在民国时期不同时空中不同类型的文学自然会产生于不同的文学环境或生态。The historic orientation of Chinese literature in post-Qing period should be divided into literature in Republic of China and literature in People＇s Republic of China. Different from the concepts of modern literature, literature in Republic of China and literature in People＇s Republic of China is an issue of time. Therefore, we should abandon the holism of historic studies of literature, and face the history with an attitude of diversity or inductionism. The commencement of modern Chinese literature has always been regarded as in 1912, and various events have been considered as the immediate flashpoints. Pioneering and ordinary theoretical findings have provided theoretic bases for the establishment of one body with two wings. If we change the mechanism of literature in Republic of China into the environment of ecology of literature in Republic of China, different types of literature in Republic of China are actually generated in different literature environment of ecology.

关 键 词：清代后 中国文学 历史定位 

分 类 号：I206.6[文学—中国文学]