舞剧“牡丹亭”的审美文化意蕴  

Aesthetic and Cultural Connotations of the Drama Peony Pavilion

作　　者：何际峰[1] 

机构地区：[1]南通大学艺术学院,江苏南通226007

出　　处：《南通大学学报（社会科学版）》2015年第1期93-97,共5页Journal of Nantong University:Social Sciences Edition

摘　　要：近年来,舞蹈界有些编导选择中国文化经典来进行艺术创作,其中明代剧作家汤显祖的"牡丹亭"是不朽的范本之一。中央芭蕾舞团、北京舞蹈学院、南京军区政治部前线文工团等团体均做了不同方式的尝试,经过舞蹈艺术的演绎,牡丹亭的古典文化气韵历久弥新,感人肺腑。南京军区政治部前线文工团创作的大型舞剧"牡丹亭",艺术形象丰满鲜活,情感跌宕起伏,有着非凡的艺术魅力,体现了阴阳相合、圆融归一,虚实相生、情景交融,形神相依、气韵生动的审美文化意蕴。In recent years, some playwrights and directors have chosen traditional Chinese classics fnr their artistic creation, among which Peony Pavilion written by Tang Xian-zu is a hot pursuit. The National Ballet of China, Beijing Dancing Academy and The Art Troupe of Nanjing Military Region have all endeavored to embody dances into music, so as to achieve a new taste of the traditional classics. The full-length dance drama Peony Pavilion created by the Art Troupe of Nanjing Military Region is famous for its vivid features and ups and downs in emotion. The dance drama is of great aesthetic and cultural cnnnolations.

关 键 词：舞剧 牡丹亭 阴阳 虚实 形神 气韵 

分 类 号：J723[艺术—舞蹈]