五代董源山水画简论——民藏董源《湖山清幽图》赏析(中篇)  

On Landscape Paintings of Dongyuan in Five Dynasties——Appreciation of Dongyuan's Serene Lakes and Mountains Collected among People(Part 2)

作　　者：湛波 

机构地区：[1]湖州市含弘阁中国古代书画研究所,浙江湖州313000

出　　处：《湖州职业技术学院学报》2014年第4期71-73,共3页Journal of Huzhou Vocational and Technological College

摘　　要：董源的山水画无论是章法的安排还是对意境的营造,无论是笔墨的运用还是技法的施展,都有非常独到的见解和巧妙的安排,达到了一种深邃高渺之化有形为无形的精神境界。而在画面的布局、置景、对比、点缀等方面,追求的气氛始终围绕着清远、秀涌、静谧、柔和的江南地域景色,让人享受到湖山清幽的美妙胜景和出神入化的笔墨功夫。《湖山清幽图》是一幅由董源署名的纯江南山水画风貌的代表作。Dongyuan has a unique understandings and delicate arrangements for his landscape paintings both on the organizations and artistic conceptions as well as inks and skills,which has reached a perfect level.The atmosphere he pursued is always focused on the serene and gentle scenery in the south of Yangtze River so that people can enjoy the quiet landscape of lakes and mountains as well as his superb using of inks and strokes.The painting of Serene Lakes and Mountains isthe reprehensive work of Dongyuan which depicts the scenery of the south of Yangtze River.

关 键 词：董源 《湖山清幽图》 披麻皴 

分 类 号：G205[文化科学—传播学]