近代实验主义兴起的文艺复兴前奏——数学地位的提升和自然哲学的异化  

The Prelude of the Rise of Modern Experimentalism in the Renaissance——The Promotion of the Position of Mathematics and the Dissimilation of Natural Philosophy

作　　者：韩彩英[1] 

机构地区：[1]山西大学外国语学院,山西太原030006

出　　处：《佛山科学技术学院学报（社会科学版）》2015年第1期1-8,共8页Journal of Foshan University(Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目(12YJA720006)

摘　　要：文艺复兴时期广泛的实用数学实践使得数学家和数学方法越来越有权威,对物理世界的精确观察和测量的重要性逐渐被世人所认可。实用数学家的工具发明及其扩展使用则不断地强化和普及工具所呈现数量值与物理事物或现象运行规律之间的一致性理念。这一时期,尽管数学诸学科与自然哲学还是分离的,但它们之间的张力和相互作用的领域也有所发展,这主要体现在天文学数学学科与关于天空的自然哲学这两个数学学科与自然哲学的交叉领域。绘画艺术领域的数学实践作为实用数学的一部分,其从业者具有与那些借助于数学、实验方法而建立起近现代科学的研究者十分相似的精神气质和研究态度。可以说,正是数学地位的提升和自然哲学的异化,构成西方近代实验主义兴起的"文艺复兴前奏",甚至奠定了西方近代实验主义兴起的根基。The extensive practice of practical mathematics during the Renaissance rendered mathematicians and the mathematical method more and more authoritative, which was reflected widely recognized in the importance of exact observation and measurement of the physical world. The instrumental invention by practical mathematicians and the extended use of the instruments increasingly reinforced and popularized the idea that the value presented by instruments is consistent with physical things or the workings of phenomena. During this period, mathematical sciences and natural philosophy were still separate, but the tension and interaction between them were to develop, which was mainly reflected in the areas of intersection between the mathematical science of astronomy and the natural philosophy of the heavens. Mathematical practice in the area of painting was part of practical mathematics. Practitioners in this area had similar ethos and research attitude to those who established modern science with mathematics and experimental method. It can be said that the very promotion of the position of mathematics and the dissimilation of natural philosophy are the prelude to and even the foundation of the rise of modern western experimentalism.

关 键 词：文艺复兴 实用数学地位的提升 自然哲学的异化 实验主义 前奏 

分 类 号：B087[哲学宗教—哲学理论]