通俗小说的标出性悖论——《杜十娘怒沉百宝箱》的符号学分析  

Paradox of Popular Novels' Markedness——Semiotic Analysis of Lady Du Shi-niang Angrily Sinks Her Treasure-Chest

作　　者：王委艳[1,2] 

机构地区：[1]平顶山学院文学院,河南平顶山467000 [2]四川大学文学与新闻学院,成都610065

出　　处：《重庆理工大学学报（社会科学）》2015年第1期154-158,共5页Journal of Chongqing University of Technology（Social Science）

基　　金：2013年河南省哲学社会科学规划项目"文艺学视野下话本小说与中国‘口头/书面’叙事传统研究"(2013CWX005);平顶山学院社科培育基金项目"文艺学视野下话本小说与活态‘说话’艺术比较研究"(PXY-PYJJ-2014010)

摘　　要：标出性是符号学概念,指符号文本对立项中不常用的一项,是一种不同于一般的品质。话本小说存在明显的标出性悖论,即文本形式与价值观念是"非标出性"的,这用来适应作为非主流文类的生存策略;而故事则采取"标出性"策略以迎合读者大众的审美趣味和市场化需要,话本小说的这种标出性悖论是通俗小说文本的基本特征。《杜十娘怒沉百宝箱》是"三言"名篇,历来脍炙人口,其集中表现了话本小说作为通俗文本的标出性悖论。Markedness is a semiotic concept,and it refers to the symbol of text on a project and it is not commonly used and is different from the general quality. Story-teller＇s script has marked paradox,namely the text form and value that is the ＂non-markedness＂,which is used to adapt as the mainstream genre survival strategy. The story is taking the ＂markedness＂strategies to meet readers＇ tastes and the needs of market. The markedness of the paradox of story-teller＇s script is a basic feature of the text of popular novels. Du Shiniang Angrily Sinks her Treasure-Chest is the famous story of Sanyan,which has always been popular among the masses,and it concentrates expression of the novels of the markedness paradox as a popular text,which not only interprets the article,but also enables us to extend the literature markedness connotation.

关 键 词：话本小说 杜十娘 标出性悖论 符号学 

分 类 号：I242[文学—中国文学]