从舞台到荧幕——纪念马塞尔·帕尼奥尔和夏沙·吉特里  

Two Master Dramatists: In Memory of Marcel Pagnol and Sacha Guitry

作　　者：朱晓洁[1] 

机构地区：[1]北京大学外国语学院法语系

出　　处：《国外文学》2015年第1期36-44,157,共9页Foreign Literatures

摘　　要：20世纪30年代,有声片的到来开启了戏剧和电影合作的新时代,法国电影迎来了一个黄金时期。两位著名的戏剧家,马塞尔·帕尼奥尔和夏沙·吉特里,也先后投身电影创作,凭借深厚的舞台创作功底和对电影叙事技巧的大胆创新,奉献了电影史上的经典影片,一时开创了各霸一方的局面。本文试图以时间为脉络,对两个人的从影经历、电影语言、时空调度、作品风格进行比较,一方面通过分析两个人各自的特点描述其对电影艺术的贡献,另一方面对"戏剧化电影"的得失进行思考。2015年是帕尼奥尔诞辰120周年,吉特里诞辰130周年,谨以此文纪念两位曾经叱咤影坛的南王北霸。In the 1930 s,the birth of sound film ushered in a new age of the marriage between drama and film and a golden age of French cinema as well. Marcel Pagnol and Sacha Guitry,two famous dramatists,created classic pieces in the history of films with their profound stage experiences and innovative story-telling techniques and were widely acclaimed as two master dramatists. The present paper,in a chronological order,attempts to compare the two dramatists with regard to their experience of making films,film language,chronological and spatial factors and style of their works,analyse their respective contributions to the film art,and finally reflect on the merits and demerits of 'dramatized film'. The year 2015 is the120 th birth anniversary of Pagnol and the 130 th of Guitry. The paper is therefore an tribute paid to the two masters.

关 键 词：戏剧化电影 马塞尔·帕尼奥尔 夏沙·吉特里 

分 类 号：J909.1[艺术—电影电视艺术]