观赏绣流变及其美学价值  

On the Appreciation Changes of ornamental Embroidery and its aesthetic value

作　　者：杨晓旗[1] 林婷婷[2] 

机构地区：[1]广州大学美术与设计学院,广东广州510006 [2]中山大学南方学院,广东广州510970

出　　处：《艺术探索》2014年第6期90-94,共5页Arts Exploration

基　　金：全国教育科学规划教育部重点课题"岭南民族民间艺术教学资源的开发;重构与利用"(GLA102054);广东省"十二五"哲学社科规划课题"广绣艺术传承与创新研究"(GD12XYS05);2013年度广州市教育科学规划课题"基于提升校内导师指导力的地方高校艺术硕士培养机制的研究"(2013A033)

摘　　要：观赏绣是我国独有的织绣艺术品种,它发勃于汉,兴盛于唐,大成于宋,精臻于明,散枝于清,形成了四大名绣。但是随着现代生活意趣的流变,观赏绣也随着刺绣技艺式微衰落。要传承观赏绣,务必要重新认识观赏绣的美学价值。Ornamental embroidery is the unique kind in the embroidery art, which had begun to produce in the Han Dynasty, developed in the Tang Dynasty, became prosperous in the Song Dynasty, changed exquisitely in the Ming Dynasty, and reached its peak and came into diversity in the Qing Dynasty, which formed the four different embroidery categories gradually. But with the change of the modern life of interest, ornamental embroidery was on the wane with the decay of embroidery craft. To inherit ornamental embroidery, it's important to re- recognize the aesthetic value of it.

关 键 词：观赏绣 流变脉络 美学价值 工艺美术 传承 

分 类 号：J523.6[艺术—艺术设计]