后现代主义文学的不确定性特征——以《第二十二条军规》的黑色幽默叙事策略为例  

A Literary Feature of Postmodernism:Indeterminacy of Black Humor in Catch-22

作　　者：胡铁生[1] 夏文静[1] 

机构地区：[1]吉林大学公共外语教育学院

出　　处：《吉林大学社会科学学报》2015年第2期140-147,175-176,共8页Jilin University Journal Social Sciences Edition

基　　金：国家留学基金委员会项目(CSC97822032);吉林省社会科学基金项目(2014BS62)

摘　　要：在现代文学乃至当代文学的发展潮流中,现实主义、现代主义和后现代主义呈继承与发展的关系。约瑟夫·海勒受哲学、语言学、自然科学、文学潮流和社会后现代性的影响,引进黑色幽默的叙事策略,在小说作品《第二十二条军规》中体现出后现代主义文学的不确定性特征。黑色幽默的叙事策略与幽默的叙事策略既有相同之处,又有其独特之处。从主题到情节,海勒以语言逻辑上的悖论和语言实验以及话语游戏作为该小说的主要叙事策略,在解构"逻各斯中心"的同时,将后现代主义小说的不确定性发展到极致,对当代文学的创作形成了重要影响,为当代文学的发展找到了新的途径。Influenced by the trends in philosophy,linguistics,science and literature,Joseph Heller introduced black humor as its narrative strategy w hen w riting Catch-22,mainly embodying indeterminacy as one of the postmodern literary features. Although black humor has something similar to humor,it does have something specific of its ow n. Heller adopts paradox of linguistic logic,language experiment and language game as his narrative strategy in both themes and plots. In the process of deconstructing logocentrism,he took the lead in developing indeterminacy for postmodernism,w hich has been a crucial impact on the contemporary w riters and found a new w ay to the development of contemporary literature.

关 键 词：约瑟夫·海勒 《第二十二条军规》 后现代主义 黑色幽默 不确定性 叙事策略 

分 类 号：I712.074[文学—其他各国文学]