论王计汝剪纸作品的题材与艺术价值  

An Analysis of the Theme and Artistic Values of Wang Jiru's Paper Cut

作　　者：张德录[1] 范晓杰[1] 张莹[1] 

机构地区：[1]山西师范大学,山西临汾041004

出　　处：《吕梁学院学报》2014年第6期81-83,共3页Journal of Lyuiang University

摘　　要：王计汝剪纸作品题材有着深刻的历史渊源。1980年山西吕梁山区考古发现,距今约1万余年的远古女神(常称女娲)岩画,与王计汝的枣山花人物剪纸(可称伏羲与女娲)那正面平展的四肢之造型以及腹下暗示生殖器的空洞,都印证着其间的源流与传承关系,彰显着王计汝和她的作品的独特魅力与价值。Wang Jiru＇s paper- cut works have profound historical origin. The archaeological discovery in Lv Liang mountains,Shanxi province of 1980 found that the rock paintings of ancient goddess（ often called Nvwa） about10000 years ago have the gesture of flat,stretched limbs as well as a hole under belly symbolize the genitalia.Wang Jiru＇s paper- cut of character has the similar gesture,which symbolizes the origin and its inheritance from the ancient form of art. The quality revealsthe unique charm and artistic value of Wang Jiru＇s works.

关 键 词：始祖文化 美在民间 王计汝 

分 类 号：J528[艺术—艺术设计]