中国当代学术刊物与电影批评及其价值取向  

Contemporary Chinese Academic Journals and Film Criticism and its Value Orientation

作　　者：张智华[1] 朱怡璇[1] 

机构地区：[1]北京师范大学艺术与传媒学院,北京100875

出　　处：《艺术百家》2015年第1期85-93,215,共10页Hundred Schools In Arts

基　　金：2012年度国家社会科学基金艺术学一般项目"中国当代电影批评及其价值取向研究"(项目编号:12BC021)阶段性成果之一

摘　　要：伴随着中国社会政治、经济、文化的发展,新时期的中国电影呈现出多样化的发展态势,与之相应的电影批评也走进了一个多元化发展的时代。电影类学术期刊就是电影创作者、研究者和欣赏者进行观点表达和思想交汇的媒介,是沟通创作者和研究者的有效渠道,一本高水平的专业电影期刊对于电影理论乃至电影创作的发展具有重要的作用。中国当代学术刊物中电影批评的历史进程比较明显,多元化呈现引人注目,这些多样性的电影批评具有互补作用。中国当代学术刊物中电影批评的特点及价值取向比较明确,在文化艺术建设中发挥重要作用。With development of Chinese social politics, economics, and culture, Chinese film presents to advance in a plural way, and correspondingly, film criticism enters in a era of plural development. Academic journal of film is a me- dium for film creators, researchers, and appreciators to express their opinions, and also an effective channel for the communication between creators and researchers. An excellent and professional film journal will play a significant role in promoting film theory and film creation. Plural presentation and studies of film will complete one another. Since the fea- tures and value orientation of film criticism in contemporary Chinese academic journals of film are definite, they have played an important role in cultural and artistic construction.

关 键 词：学术刊物 电影批评 多元化 互补作用 中国电影创作 电影理论 

分 类 号：J90[艺术—电影电视艺术]