《歧路灯》家族小说主题及平民化叙事模式分析  

The Family Novel Qiludeng and Its Popular Narrative Mode

作　　者：武少辉[1] 

机构地区：[1]平顶山学院,河南平顶山467002

出　　处：《齐齐哈尔师范高等专科学校学报》2015年第1期51-53,共3页Journal of Qiqihar Junior Teachers College

基　　金：平顶山学院伏牛山文化圈研究中心招标重点资助项目:<歧路灯>的海外传播研究(12ZBZYJ209)

摘　　要：明清时期,中国传统家族制度较为强盛,以家族祠堂为中心的伦理文化,逐渐扩展至社会的方方面面。受此影响,世情小说较多渗透着对家庭伦理及亲缘关系的审视,继而促使家族小说走向繁荣。清人李绿园的《歧路灯》叙写了一个"浪子回头"故事,侧重于表现子女教育、门第观念、宗族意识等主题,堪称一部典型的平民家族小说。In the Ming and Qing Dynasties, the family-centered ethical culture gradually pervaded nearly every aspect of the society because of Chinese traditional family system. Affected by this, realistic novels focused more on family ethic and family ties and thus moved toward prosperity. Li Luyuan＇s Qiludeng told us a etory of a prodigal son. It is a classic civilian family novel, putting emphasis on children＇s education, family status and lineage consciousness, and so forth.

关 键 词：李绿园 《歧路灯》 平民意识 家族小说 叙事模式 

分 类 号：I207.42[文学—中国文学]