《水浒后传》《后水浒传》:明清之际遗民文化心态的反映  

Reflection of Adherents' Cultural Mentality between Ming and Qing Dynasties in Sequel to the Water Margins and After the Water Margins

作　　者：唐海宏[1] 

机构地区：[1]陇南师范高等专科学校文史学院,甘肃成县742500

出　　处：《西安石油大学学报（社会科学版）》2015年第1期80-84,共5页Journal of Xi’an Shiyou University:Social Science Edition

基　　金：陇南师范高等专科学校2012年校级科研项目(2012LSSK02006)

摘　　要：《水浒后传》和《后水浒传》是明清易代之后涌现出的借续书来抒写遗民文化心态的佳作。两位作者都以与明末清初相似的时代——宋末元初作为叙事的切入点,可见作者对明王朝的眷恋和对遗民文化的认同。而这种遗民文化心态不仅体现在两部小说作品的文本、序跋之中,也体现于作者的身世与交往中;不仅从作品主人公对王权的尊崇、忠君爱国不肯称王的举动中体现出,也在他们的诗作中得到流露。Sequel to the Water Margins and After the Water Margins are continuous books after the change of Ming and Qing Dynasties, which are the best works that describes the cultural mentality of their adherents. Both authors took the period between Song Dynasty and Yuan Dynasty as the starting point of novel narration, which is similar to the time between Ming and Qing Dynasties. This shows that both authors were sentimentally attached to the Ming Dynasty and had the identity for the culture of its adherents. This kind of adherents＇ cultural mentality is not only embodied in the text, prefaces and postscripts, but also in their life experiences and communications. Their cultural mentality can not only be reflected from main character＇s respect and worship for imperial power, and their loyalty to the country without acting like the emperor, but also revealed in their poetry and works.

关 键 词：《水浒后传》 《后水浒传》 遗民 文化心态 

分 类 号：I207.412[文学—中国文学]