红色场域下的“去政治化”历史呈现——以《亮剑》为例看电视剧对小说的改编得失观  

The Historical Appearance of De-politicalization in the Red Field——a Study of Drawing Swordto Explore the Gain and Loss of Adaptaion from Novels to Dramas

作　　者：黄传波[1] 

机构地区：[1]德州学院文学与新闻传播学院,山东德州253023

出　　处：《德州学院学报》2015年第1期69-73,共5页Journal of Dezhou University

基　　金：山东省艺术科学重点课题(20090290)

摘　　要：大众文化背景下,小说与电视剧的亲缘关系体现得更为明显。作为小说与电视剧的共同资源,抗日战争成为两种艺术形态的重要表现内容。新世纪以来的抗战小说及抗战剧均取得了较为突破的成就,其中多部抗战剧是由小说改编而来,《亮剑》是一个典型案例。抗战剧虽表现出"去政治化"的特点,但仍处红色场域之下,与意识形态有着一定的关联性。从小说到电视剧的改编,抗战剧要经受双重"守门人"的考验。Under the background of mass culture,the relation between novels and dramas is more obvious.As common resources of novels and dramas,the anti-Japanese War has become the important countent.Since the new century,Anti-Japanese War novels and dramas have made a breakthrough achievement.A number of Anti-Japanese War dramas are adapted from novels,and Drawing swordis a typical case among them.Anti-Japanese War dramas show the characteristics of De-politicalization,but are still under the red field,and have certain correlation with ideology.The adaptation from novels to dramas,the AntiJapanese War dramas will stand the test of the double gatekeepers.

关 键 词：抗战 《亮剑》 大众文化 改编 

分 类 号：I207.35[文学—中国文学]