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作 者:孙绍昆[1]
机构地区:[1]昆明学院,云南昆明650214
出 处:《陶瓷学报》2015年第1期100-102,共3页Journal of Ceramics
摘 要:尼西黑陶素有"原始制陶方式活化石"之称,其工艺、装饰技法、审美要素、文化表现都保持着尼西藏族独有的原始素朴宁静之美。但是,传承一项文化精粹的关键不是于封闭的体系内运作,而是应兼容并蓄却又独树一帜。基于此,笔者提出尼西黑陶的发展思路,即:"破、承、立"。破的是单一技法和装饰形式,承的是造型图案的尼西藏族特色,立的是要融入现代黑陶陶艺理念。Nixi black pottery is known as the living fossil of primitive pottery making, whose craft, decoration techniques, aesthetic elements and cultural performance has still remained the unique original simple quiet beauty of Tibetan tribes. But, cultural inheritance should be inclusive and unique and should not operate in a closed system. Based on this idea, the development strategy of black pottery is put forward in the paper, which entails breaking, inheriting and integrating. Single techniques and decorative forms should be broken, Tibetan ethnic characteristics of modeling shapes and decorative patterns should be inherited, and the modern idea of black pottery should be integrated into it.
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