动画中手绘的传承性与延续性研究  

The Study of Inheritance and Continuation of Drawing in Animation

作　　者：黄恩武[1] 

机构地区：[1]福建工程学院,福州350108

出　　处：《艺术与设计（理论版）》2015年第1期91-93,共3页Art and Design

基　　金：福建省教育科学"十二五"规划2014年度立项重点课题;课题名称:闽台动漫合作教学的连续性与系统性研究;项目编号(FJJKCGZ14-015)

摘　　要：动画艺术的发展,经历了原始洞穴壁画,早期的传统动画和如今的CGI数字动画时代。手绘在动画艺术的发展历程中始终处于核心地位,不同时期新的手绘技术总是取代旧有技术成为当今动画的主流。通过选取奥斯卡最佳动画短片奖和昂西国际动漫节获奖短片进行数据分析,对比不同时期、不同类型动画中手绘的形式,论证CGI等新技术的发展并不是取代旧有的传统手绘动画,而是对传统的一种传承和发展。The development of animation art has gone through several stages： the original cave paintings, early traditional drawing animation and CGI digital animation now. No matter how the forms or styles occur in animation history change, the drawing will still be the core of the new technology in the development, and the new drawing technology will replace the old drawing skill, becoming the mainstream. By selecting the Oscar for Best Animated Short Film Award and the Annecy Award Winners for data analysis, comparing different types of drawing forms in different times, it＇ s certified that new technologies such as CGI will not replace the old traditional drawing animation. It exists as a kind of inheritance of tradition.

关 键 词：手绘 传统动画 CGI数字动画 奥斯卡 昂西 

分 类 号：J91[艺术—电影电视艺术]