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作 者:杨宁宁[1]
出 处:《中央民族大学学报(哲学社会科学版)》2015年第2期122-127,共6页Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基 金:广西哲学社会科学"十二五"规划项目"经济全球化背景下的广西民族文化传承与发展策略研究"(项目编号:11BXW008)部分成果;广西民族文化保护与传承研究中心建设经费资助
摘 要:河歌是侗族青年行歌坐夜时唱的情歌,它虽是情歌,却内涵丰富,具有文学、艺术人类学和民俗学等多学科特点。河歌传承发展的现状堪忧:随着河歌功能作用的改变,河歌传承方式及传承场域也发生了改变,这些改变使河歌原初的文化内涵发生改变。河歌传承最大的困境是河歌与歌师的流失,河歌传承发展的现状与困境,在全国各民族民歌传承发展中具有普遍性,要解决这一问题,需要国家在制度和政策上予以支持。River Songs are love songs of Dong young people songs, they have rich contents, displaying multidisciplinary who sing at night. Although they are love characteristics such as literature, art, anthropology and folklore. The present situation of River Song~ inheritance and development is worrying: with the change of River Song' s functions, the ways and fields of their inheritance also have changed, leading to the change of their original cultural connotations. The biggest problem in inheritance is the loss of River Songs and the drain of singing masters. Establishing a rating mechanism for singing masters and setting up River Song schools can effectively solve the problem. The current situation and dilemma of River Song' s inheritance and development are universal and representative in the development of ethnic folk heritages. In order to solve this problem, the State should provide institutional and policy support.
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