从文本分析到镜像分析——精神分析电影理论的分析策略  

From Textual Analysis to Mirror Image Analysis——The Analysis Strategies of Psychoanalytical Film Theory

作　　者：舒也[1] 李蕊[2] 

机构地区：[1]南京大学哲学系 [2]北京大学艺术学院

出　　处：《中国人民大学学报》2015年第2期151-156,共6页Journal of Renmin University of China

摘　　要：精神分析电影理论是电影理论现代转型之后的一个重要分支,它是电影理论从经典镜头叙事理论向文本符码分析、文化分析转向的一个结果。它以弗洛伊德的精神分析学说和雅克·拉康的镜像分析理论为重要理论资源,根据无意识理论、释梦理论和镜像理论,通过对电影文本的象征分析,来寻找深层的无意识文化心理。精神分析电影理论与意识形态批评密切相关,它对当代文化理论、女性主义批评、观影关系理论产生了重要影响。Psychoanalytical Film Theory is an important branch of modern transformation of film theory.It represents the modern transformation of film theory from classical lens narrative analysis to text code analysis and cultural analysis,taking Freud＇s Psychoanalytical Theory and Lacan＇s Mirror Theory as important resources.Inspired by the Unconscious Theory,Dream Interpretation Theory and Mirror Theory,it searches for the deep cultural psychology of the unconscious,showing a shift from Textual Analysis to Mirror Image Analysis.By analyzing ＂the imaginary signifier＂of movie,it seeks to find the encoding rules of the Cinematic Arts.Psychoanalytical Film Theory closely relates to Ideological Criticism and has made significant impacts on contemporary Cultural Criticism,Feminist Criticism and Viewing Relation Theory.

关 键 词：现代电影理论 精神分析 镜像分析 观影关系 

分 类 号：J905[艺术—电影电视艺术]