“重写文学史”专栏的回望与反思(上)  

Looking Back and Reflection on the “New Literary History Rewriting”Column

作　　者：刘忠[1] 

机构地区：[1]上海师范大学人文学院,上海200234

出　　处：《中州大学学报》2015年第1期1-8,共8页Journal of Zhongzhou University

基　　金：国家社科基金项目(11BZW101);上海市曙光计划项目(10SG43);上海高校一流学科(B)建设计划项目(12sg12)

摘　　要：1988年可谓是中国现当代文学史写作的一个转折点,"重写文学史"的提出,具有重要的理论和实践意义,既折射了新时期改革开放十年的思想解放成果,也诠释了文学史写作从量变到质变的曲折过程,是一次写作观念与方法论"同向"新变的结果,负载着丰富的时代信息。近的一点,有"五四"新文学性质讨论、二十世纪中国文学论、新文学整体论的历时推进;远的一点,有海派文化先锋性、西方近现代文艺思潮的共时作用,当然,还离不开1980年代学人的社会心理期待,尤其是青年学者急于发声、确立话语权和实现文学梦的强烈冲动。1988 is a turning point of modern and contemporary Chinese literature writing. In such a year,the promotion of literary history rewriting has important theoretical and practical significance. It not only reflects the achievements of ideological liberation in the decade of reform and opening up,but also explains the complicated process of literature history writing. Near a bit,it discusses the nature of the ＂May 4th＂new literature theory and the theory of new literature in the 20 th century. Far a bit,it discusses the synchronic pioneering role of Shanghai style culture and western modern literature ideological trend. Of course,it also has contacts with social psychological ideas,especially younger scholars＇ desire to establish position.

关 键 词：“重写文学史”专栏 回望 反思 

分 类 号：I206[文学—中国文学]