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作 者:黄乐平[1]
出 处:《山西大同大学学报(社会科学版)》2015年第1期6-10,15,共6页Journal of Shanxi Datong University(Social Science Edition)
基 金:湖南省教育厅项目"张洁与欧美文学"(1220251)
摘 要:张洁的《无字》和夏洛蒂·勃朗特的《简·爱》都是旨在全面展示女性主体成长的成长小说。两部作品记录女性生命成长的历史时,都浓墨重彩地书写了主人公的"出走"与皈依,展现了女性为追求自身价值和幸福与逆境顽强抗争,从而独立自强的心路历程。两部小说将主人公的成长均集结到"皈依"。简·爱的皈依是"复归乐园",吴为的皈依却是"走向死亡","殊途"同"皈"体现了中西文化价值观的差异。描述女性成长的生命史和心灵史,两部作品都采用了自传性叙事的表现方式,由此增强了作品的艺术感染力。Both NO Word and Jane Eyre are the Female Bildungsromans that aim at showing people the process of female's growth.The two novels record the routine of female lives' growth, they both mentioned a lot about the experience of the character's escaping,reflecting that females dare to fight against their hard situations and achieving their personal value and happiness.The subjective consciousness of their independence and self-improvement is also strengthened when they're escaping.Based on showing the road of escaping,both works concentrate their themes on"conversion". Jane Eyre converts to"returning to the Garden of Eden",while Mo Word converts to death. The difference between their conversions indicates the differences between the Chinese and Western cultural values. Describing the growth routine of life and heart,both two works used autobiography recount and strengthened the art affect.
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