北宋上党神庙演出场所探微  

Probing into Performance Venues in Temples of Shangdang County

作　　者：王潞伟[1] 

机构地区：[1]山西师范大学戏曲文物研究所

出　　处：《戏剧（中央戏剧学院学报）》2015年第1期17-29,共13页Drama:The Journal of the Central Academy of Drama

基　　金：国家社科基金项目"文化遗产视域下的古戏台资料抢救与遗存保护研究"(14BZS079);国家社科基金项目"中国戏曲碑刻的收集整理与研究"(项目编号:13BZS017);教育部人文社会科学研究项目"中国神庙剧场史"(11YJAZH003)阶段性成果

摘　　要：神庙中演出场所之设,自肇始以来便与乐舞、戏曲有着不解之缘,其形制、布局的变化无不与乐舞、戏曲演出有着密切关联。兴起于北宋年间的上党地区及河东万荣地区的几座演出场所,都属神庙内的附属建筑,这种演出场所形式与汴京瓦舍中之勾栏存在较大差异,是为了适应迎神赛社时供馔献艺所建。虽然宋代神庙演出场所建筑现已无实物遗存,但从碑刻载录、庙宇规制布局、宋代建筑遗存及金元舞楼形制等方面综合考量,可大致作出推断。From the very beginning, the performance venues in temples were closely connected with the development of music, dance and dramatic performing. Some performance venues in Shangdang and Wanrong built in Northern Song Dynasty were annexed to temples for rituals, which were quite different from those performing venues in the entertainment area in Bianjing in Northern Song Dynasty. Actually, there is no relic of the venue; but it might be inferred from comprehensive studies on inscriptions of tablets, the layouts of temples, the architectural remains of Song Dynasty and structures for dancing in Jin and Yuan Dynasty.

关 键 词：神庙演出场所 宋代舞楼 百戏妓乐 上党 

分 类 号：J809.2[艺术—戏剧戏曲]