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作 者:谷海慧[1]
机构地区:[1]解放军艺术学院文学系
出 处:《戏剧(中央戏剧学院学报)》2015年第1期127-136,共10页Drama:The Journal of the Central Academy of Drama
摘 要:随着"多媒体"在戏剧舞台上的广泛性使用,"多媒体戏剧"逐渐成为一种流行的戏剧标签。事实上,使用"多媒体"技术的戏剧与"多媒体戏剧"存在很大差异。能够称得上"多媒体戏剧"的剧作应当具有这样的特征:"多媒体"在艺术生成过程中真正发挥了作用,参与了艺术构成。也就是说,当"多媒体"技术所担负的任务不仅仅是对剧情的解释说明,其本身就是戏剧环境、戏剧角色、戏剧行动时,"多媒体"在戏剧中的价值方获得实现,"多媒体戏剧"方在文化创意与观念革命的高度上获得完成。在此,技术与艺术可以并行不悖。作为对传统戏剧创作方法的拓展与补充,优秀的"多媒体戏剧"不但能够探索戏剧的可能性,而且能够体现艺术想象与技术美学的完美结合。As the application of multi-media on stage extensively, "multi-media drama" turns to be a fashion. Actually, the theatrical performances that use multi-media are quite different from "multi-media drama". Generally, in "multi-media drama" multi-media plays an important role in creating and constructing theatrical performances, which indicates that multi-media in "multi- media drama" does not only illustrate the theatrical performance but also works as a setting, a character and a plot. In that case, the values of multi-media that connect the imagination of art and the aesthetics of technology come true. Therefore, excellent "multi-media drama" that extends and complements traditional drama creation will explore the potential and theater and shows the perfect unity of artistic imagination and technical aesthetics.
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