从南宗画论看王维之景物诗  

The Reflection of South School Painting Theory on Wang Wei's Pastoral Poetry

作　　者：杜涵[1] 

机构地区：[1]华北水利水电大学外国语学院,河南郑州450046

出　　处：《华北水利水电学院学报（社会科学版）》2015年第1期137-139,共3页Journal of North China Institute of Water Conservancy and Hydroelectric Power(Social Sciences Edition)

摘　　要：王维作为南宗画派的创始人和山水田园诗派宗师,其山水景物诗显示了与南宗画派一脉相承的特点:色彩上深得水墨之味,以黑白写出六彩并通过"计黑当白"幻化出空灵之境;以胸中之气写山水,表现出自然的生机和韵律,气韵生动;时光感渗入诗中,既有"时史"之作,又有超越"时史"之作,将瞬间化为永恒。Wang Wei, the originator of the South School Painting and master of pastoral poetry, has his pastoral poems heavily tinted with South School Painting theory. The hue of his poems is light and thin and every color under the sun is created out of the black and white, just like the Chinese ink painting. He tries to seize the vigor and melody in nature with his inner eye and expresses the rhythmic vitality in his poems. In addition, he shows an obvious awareness of the time in his poems and tries to seek eternity within a moment.

关 键 词：南宗画论 王维 水墨 气韵 时史 

分 类 号：I207.22[文学—中国文学]