拉舍尔花边中传统牡丹花纹的构图设计  

Composition design of traditional peony pattern based on raschel lace

作　　者：范金金[1] 吴志明[1] 

机构地区：[1]江南大学教育部针织技术工程研究中心,江苏无锡214122

出　　处：《纺织学报》2015年第3期43-47,共5页Journal of Textile Research

基　　金：国家社科基金项目(12BMZ049);教育部人文社会科学研究青年基金项目(12YJC760070);江苏省产学研联合创新资金-前瞻性联合研究项目(SBY201220160)

摘　　要：通过对多梳拉舍尔花边的设计实践与实物分析,以及对花边中牡丹纹艺术特色的深入解剖,阐述了拉舍尔花边中牡丹纹的构图设计方法,从花边中牡丹纹构图的形式美规律、牡丹纹的构图方式以及层次表现方面进行归纳。研究结果表明,变化与统一、调和与对比、对称与均衡、节奏与韵律是花边中牡丹纹构图的形式美规律,中心式构图、三角形构图、散点式构图以及弧线式构图被应用于花边中牡丹纹的构图设计中。本文研究为花边中传统牡丹纹的构图设计提供新的理论和实践参考。This paper,based on multi-bar raschel lace’ s design practices and real fabric analysis,and in-depth study on the peony patterns’ artistic characteristics, interprets the composition design of traditional peony pattern applied in the lace,from the suspect of the formal beauty rules of composition,composition style and level performance of peony pattern. Research suggests that change and unity,harmonic and contrast,symmetry and balance,rhythm and rhyme are the rules of formal beauty of peony pattern design,and center type composition,triangular composition,scattered point composition and arc type composition are used in peony pattern’s composition design. This paper provides new theoretical and practical basis for traditional peony pattern’s composition design in the lace.

关 键 词：牡丹纹 花边 构图 形式美规律 

分 类 号：TS184.3[轻工技术与工程—纺织材料与纺织品设计]