秦观与贺铸词中的女性形象比较  

A Comparison of Women Images in Ci Poems of Qin Guan and He Zhu

作　　者：张慧敏[1] 

机构地区：[1]西华师范大学,四川南充637000

出　　处：《重庆三峡学院学报》2015年第1期92-94,共3页Journal of Chongqing Three Gorges University

摘　　要：秦观与贺铸都是宋代著名的词人,他们二者的词中都出现了不少女性形象,但他们笔下的女性是既有类似又有差别的。秦观笔下的女子歌姬较多,形象多是美丽而哀愁的,在一定程度上反映了秦观的身世遭遇和心态;而贺铸笔下的歌姬显得华美而空洞。秦观笔下的民间女子形象出现的次数不多,但也有情有性,个性十足;贺铸笔下的民间女子更是形象丰富,血肉丰满。二者笔下还出现了其他不同类型的女子形象,也各有自己的特点。As famous Ci poets in Song Dynasty, Qin Guan and He Zhu both created poems that are pervasive with women images. However, the woman images in their poems assume both similarities and differences. In Qin Guan＇s poems, there are abundant pretty and sorrowful female entertainer images, which to some degree is a reflection of his fate and mood and matches well Zhou Ji＇s comment of ＂He incorporated his own life experience into the erotic senses＂, while in He Zhou＇s poems, the female entertainers are gorgeous but empty-minded. The few folk women images in Qin Guan＇s poems are sentient beings with personalities and the folk woman images in He Zhou＇s poems are even more so. The other types of female images in their poems also assume unique personalities.

关 键 词：女性形象 歌姬舞女 民间女子 

分 类 号：I206.2[文学—中国文学]