智性、复调与诗思自身的设入——读李元胜诗集《无限事》兼及新诗创作的未来走向  

Intelligence, Polyphony and Self-involvement of Poetic Emotion: Comment on the Poetry Anthology Unlimited Things and the Future Direction of Modern Chinese Poetry

作　　者：向天渊[1] 

机构地区：[1]西南大学中国诗学研究中心.中国新诗研究所,重庆北碚400715

出　　处：《重庆三峡学院学报》2015年第2期88-93,共6页Journal of Chongqing Three Gorges University

基　　金：教育部社科规划项目"中国新诗的‘公共性’问题研究"(13XJA751007)的阶段性成果;中央高校基金基本科研业务费学科团队研究项目(2362014xk20)阶段性成果

摘　　要：李元胜的诗集《无限事》具有鲜明的现代性特征,这主要体现在与古典诗歌之抒情性、意象性大异其趣的智性抒情、复调手法、诗思自身设入等几个方面。这些不仅顺应了现代汉语的基本特征,也与卞之琳、袁可嘉等努力探索的新诗之现代主义传统一脉相承,标示出新诗与旧诗在创作及批评上判然有别的新路径、新取向,值得尊重与呵护。The poetry anthology Unlimited Things has many modern characteristics such as intelligence,polyphony and self-involvement of poetic emotion, which is significantly different from Image and Artistic Conception in classic poems. These modern characteristics not only conform to the basic features of modern Chinese, but also are in line with the modernism tradition of Chinese Modern Poems researched by Bian Zhilin and Yuan Kejia. Unlimited Things mark a new direction and path of modern Chinese poetry from the classic poem in terms of creation and criticism, which should be respected and cherished by more poets.

关 键 词：《无限事》 智性 复调 诗思自身的设入 新诗的新方向 

分 类 号：I207.22[文学—中国文学]