唐代大曲承载机构研究  

The Research of Tang Dynasty Daqu 's Music Institutions

作　　者：柏互玖[1] 

机构地区：[1]温州大学音乐学院,浙江温州302035

出　　处：《内蒙古大学艺术学院学报》2015年第1期98-106,共9页Journal of Art College of Inner Mongolia University

基　　金：浙江省哲学社会科学规划课题<形态.功能.制度:大曲研究新视野>(项目批号:13NDJC161YB)阶段性成果

摘　　要：大曲,体制之庞大、结构之繁复、表演技艺要求之精湛,决定其乐曲的创作和表演、乐人的教习和培训均需有机构和制度层面的保障。不仅如此,音乐的性质亦与承载机构的性质相互对应,互为存在。音乐的性质决定其承载机构的性质,反之亦然。唐代大曲有礼、俗之分,它们分别具有相应的承载机构,大体而言,唐代礼乐大曲的承载机构有太乐署、禁中内教坊;俗乐大曲的承载机构有清商署、蓬莱宫内教坊、外教坊、梨园、太常梨园别教院、仗内教坊、宣徽院;礼俗兼掌的音乐机构有率更寺。Daqu has huge structure, complicated system and requirements of superb performing skill, which determines the creation and performance of its music, learning and training of human which are required to have the mechanism and institutional safeguard. Not only that, the nature of music and music institutions correspond to each other ,nature of the music determines nature of music institutions, and vice versa. Tang Dynasty Daqu can be divided into ceremonial Daqu and profane Daqu, which have corresponding music institutions. generally, the music institutions of Tang Dynasty ceremonial Daqu have Taiyueshu, the inner Jiaofang where is in the palace of the emperor; the music institutions of Tang Dynasty profane Daqu have Qingshangshu, the inner Jiaofang where is in the Penglaigong, outer Jiaofang, Liyuan, Taichangliyuanbiejiaoyuan, Zhangnei Jiaofang, XuanHuiyuan; The music institution which manages ceremonial Daqu and profane Daqu is Shuaigengsi.

关 键 词：礼乐大曲 俗乐大曲 太常 教坊 梨园 

分 类 号：J809.2[艺术—戏剧戏曲]