何其芳诗歌与“何其芳现象”  被引量:1

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作  者:王剑萍[1] 

机构地区:[1]淄博师范高等专科学校人文科学系,山东淄博255130

出  处:《淄博师专学报》2015年第1期41-44,共4页Journal of Zibo Normal College

摘  要:何其芳初登诗坛时的诗歌有着赤子般的情怀,用孩子的眼光和心灵写成的诗,没有被"他者"异化,具有重要美学价值。1938年到延安后,诗歌创作发生了变化。1942年后,何其芳转型,却始终绕不开文学的追求,并且在文学艺术上不断进行探索,不断总结反思。分析有着一定普遍性的"何其芳现象",不能脱离当时的时代背景,简单归结为"思想进步、艺术退步"。He Qifang's poetry has a childlike feeling at the beginning of his creation, which is of important aesthetic value. Since he went to Yan'an in 1938, his creation has changed in the identity of the poet, and in the poem style. After 1942, he experienced great transformations, but still did not stop his pursuit of literature, his ongoing exploration of art, and his constant sum and reflection. The analysis of "He Qifang Phenomenon", which has certain universality, can not be separated from the historical background at that time, or be simply narrowed down as "progress in thought, but regress in art".

关 键 词:何其芳 诗歌 转型 “何其芳现象” 

分 类 号:I206.6[文学—中国文学]

 

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