《小艾友夫》的伦理之维与哲理之思——以大海峡湾为中心  

Ethical Dimensions and Philosophical Meditations in Little Eyolf——From the Perspective of Seas and Fjords

作　　者：杜雪琴[1] 

机构地区：[1]中国人民大学文学院,北京100872

出　　处：《海南师范大学学报（社会科学版）》2015年第2期88-93,共6页Journal of Hainan Normal University(Social Sciences)

基　　金：教育部人文社会科学研究青年基金项目"易卜生戏剧地理基因问题研究"(项目编号:12YJC752006)

摘　　要：易卜生后期剧作《小艾友夫》中,看似平静的大海峡湾却有着多股"逆流"涌动,呈现变幻与汹涌的形态,具有多重象征与哲理意蕴。剧作家以大海峡湾为中心,勾画了一幅生动的人伦风景图,展现了家庭成员之间的生离死别、夫妻之间的爱恨情愁、兄妹之间的情感纠纷以及恋人之间的聚散离合等,各类人物的心理亦如大海汹涌暗流形态一样,相互冲突并彼此纠结。在此,剧作家对于生命、生死、命运、人性善恶、人类责任以及人类"变化规律"的看法,得到全面体现。In Ibsen＇ s later play Little Eyolf, beneath the seemly calm sea and fjord are the turbulent currents and counter-currents which suggest rich symbolizations and philosophical implications. Centering on the sea and the fjord, the playwright sketches a colorfully ethical picture： the death of family members; the love and hatred between husband and wife; the quarrels among siblings; the meeting and parting of lovers, etc. Their emotions are as changeable as the turbulent currents in the sea, merging yet conflicting with each other. All this fully shows the playwright＇ s deep concern with the human destiny, life and death, good and evil of human nature as well as his viewpoints on human responsibility and the pattern of change.

关 键 词：《小艾友夫》 大海峡湾 伦理景观 人类责任 “变化规律” 

分 类 号：I533.073[文学—其他各国文学]