论《山乡巨变》的双重话语建构与文化融合底蕴  

The Construction of Dual Discourse and the Implication of Cultural Integration in Shan Xiang Ju Bian

作　　者：刘起林[1] 

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《南京师范大学文学院学报》2015年第1期83-88,共6页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：教育部人文社科基金项目<多维文化关系与20世纪中国历史文学>;编号为12YJA751039

摘　　要：周立波的《山乡巨变》在叙事框架、观念形态层面,表达的是以政治意识形态文化为主导的国家功利话语;艺术场景、生活形态层面体现的,却是以充满日常性和人情味的乡村生活图景为中心的民间生态话语。作者一方面将乡土文化的传统底蕴转化成一种充满生命活力的现实生活形态,另一方面又将时代新生活描述成一种贯穿着各种民俗文化元素的乡土生活新境界。这种双重话语并置、多元文化共生的审美建构,不仅呈现出对社会矛盾双方客观审视、辨证分析的审美意味,而且隐含着一种乡土民间文化与政治意识形态文化在当时的历史条件下呈融合发展态势的历史认知。The narrative framework and ideology of Shan Xiang Ju Bian expresses political ideology which was dominated by national utilitarian discourse. However,the art scene and life modality of this novel is based on folk ecological discourse,which was centered on daily life and villagers＇ interests. On the one hand,the traditional heritage of local culture has been transformed into a realistic lifestyle full of vitality; on the other hand,the new era of life has been turned into a description of a new realm of local life penetrated with various folk culture elements. This aesthetic structure of double discourse and juxtaposition of multicultural coexistence not only presents an objective look and a dialectical analysis on both sides of the social contradictions,but also implies a historical recognition of the development trend of integration of local folk culture and political ideology at that time.

关 键 词：《山乡巨变》 双重话语 文化融合 

分 类 号：I206.7[文学—中国文学]