女性“失乐园”——试论萧红作品中的女性悲剧意识  

“PARADISE LOST”OF WOMEN——On female tragic consciousness of Xiaohong's works

作　　者：祁郁[1] 张晓东[2] 

机构地区：[1]安徽警官职业学院基础部,安徽合肥230031 [2]阜阳师范大学文学院,安徽阜阳236037

出　　处：《河南工业大学学报（社会科学版）》2015年第1期159-162,共4页Journal of Henan University of Technology:Social Science Edition

基　　金：2012年教育部人文社科规划基金项目(12YJA751082)

摘　　要：萧红是二十世纪中国现代文学史上颇具影响力、最具独立风格的作家。她的一生短暂多舛,却为后世留下了多达百万字的文学作品,其《呼兰河传》、《生死场》、《小城三月》等作品备受世人青睐。在萧红有限的作品中无不弥漫着浓郁的悲剧气息,这也是萧红作品的魅力所在。透过萧红的"眼睛"体验她笔下那个真实的世界,分析萧红作品中的女性悲剧意识,从而引出对生命意义的思考。Xiao Hong was an influential writer with an independent style in the 20th century history of modem Chinese literature. Her life was short and unfortunate hut she left the later generations literary works of asmany as one million words. Her works find favor in the eyes of people of all ages such as 〈 Hulan River 〉 , 〈 Life and Death 〉, 〈 March of the Town 〉. Her works are filled with rich-flavored tragedies, which con-tributes to the charm of her works. This article experiences the real world in Xiaohong＇ s works from her ＂eyes＂ and conducts a rough analysis of female tragic consciousness in her works and thus leads to thinking on the meaning of life.

关 键 词：萧红 女性 悲剧意识 

分 类 号：I206[文学—中国文学]