赵翼诗论的唯新倾向及与性灵派的离合  

The Innovation-Orientation in Zhao Yi's Poetics and Its Separation and Reunion with Xing Ling School

作　　者：李秋霞[1] 蒋寅[2,3] 

机构地区：[1]南京师范大学文学院,江苏南京210097 [2]中国社会科学院文学所,北京100732 [3]中国社会科学院研究生院,北京100732

出　　处：《湖南师范大学社会科学学报》2015年第2期138-143,共6页Journal of Social Science of Hunan Normal University

基　　金：国家社科基金项目“乾隆朝诗学的历史展开研究”(12BZW051);国家社科基金重大课题“清代文人事迹编年汇考”(13&ZD117)

摘　　要：学界一向将创新精神视为赵翼诗学的核心内容和独特价值,并当然地被放在性灵派的理论框架中加以阐释,而并未追问其理论出发点。从赵翼对才名的焦虑和对文学价值的悲观态度入手,说明赵翼诗论的唯新倾向出于超越前人的渴望,其背后的动力乃是"影响的焦虑"。赵翼论诗虽同样以自抒性灵为要旨,却只不过视为创新的手段,而不像袁枚那样以之为目的。随着年至耄耋,老境寂寥,他对诗歌的观念有所变化,逐渐由求"新"转向求"工",甚至放弃了与前人争新的意识。这无意中呼应了诗坛正涌动的自我表现极端化、绝对化的思潮,成为嘉、道诗学中绝对自我表现观念的先声。Abstract：The spirit of innovation was always be considered as the core content and special value of Zhao Yi＇s poetics by the academic circle. As a result, his poetics was only being put into the theoretical framework of Xing Ling School and being explained along this line of thought. Its theoretical starting point was not being inquired yet.Start- ing from Zhao Yi＇s anxiety for literary fame and Pessimistic attitude towards literary value, this paper pointed out the Innovation-orientation of Zhao Yi＇s poetics was rooted in his eagerness for surmounting predecessors, and its driving force was the anxiety of influence. Although Zhao Yi＇s poetics took Xing Ling as the keystone, he did not consider it as a aim like Yuan Mei. Instead, he saw it just as a tool. As he got older and lonelier, he changed his poetic con- cept. That is, he turned gradually to pursuing perfectness instead pursuing innovation. He even abandoned the idea of competing with the older generation of poets. Unconsciously, Zhao Yi echoed the poesy circle in which the trend of thought was surging that self-expression was being putting to extreme and absolute .His change became the first signs of the absolute self-expression concept in the poetics of Jiaqing-Daoguang period.

关 键 词：赵翼 诗论 唯新 性灵派 

分 类 号：I207.22[文学—中国文学]