《诸道听耳世间猿》对戏剧作品的受容——以第四卷第三回《服丧三年于青楼》中的“诗文对答”为中心  

A Case Study on the Use of Theatrical Scripts in Shodo Kikimimi Sekenzaru——Focusing on the Repartee in Poetry in Kugai Wa Sudeni Sannen No Mofuku(Chapter Ⅲ in Volume Ⅳ)

作　　者：王欣[1] 

机构地区：[1]武汉大学外国语言文学学院,湖北武汉430071

出　　处：《江西师范大学学报（哲学社会科学版）》2015年第2期140-144,共5页Journal of Jiangxi Normal University(Philosophy and Social Sciences Edition)

摘　　要：上田秋成浮世草子《诸道听耳世间猿》第四卷第三回《服丧三年于青楼》中男女主人公的"诗文对答"可谓这篇小说的独到之处,但在以往的各种研究中都没有考察男女主人公的"诗文对答"部分。该文从人物造型、场面设定角度出发,结合日本江户时代的青楼行规,不仅分析了《诸道听耳世间猿》第四卷第三回的"诗文对答"对戏剧净瑠璃《新薄雪物语》、谣曲《白乐天》的受容状况,还首次阐述了其构成方法及特色,即通过戏剧与江户时代市民文化的融合将人物诙谐化。The repartee in poetry between the hero and the heroine in Kugai Wa Sudeni Sannen No Mofuku（ Chapter III in Volume IV）of the Ukiyozoshi Shodo Kikimimi Sekenzaru is a unique feature of this novel,which was not investigated by previous studies. Considering brothel standards in the Edo Period of Japan,the paper analyzes the influences of the Jyoruri Sin Usuyuki Monogatari and the Yokyoku Hakurakuten on this repartee from the perspectives of the character modeling and the scene setting. The formation and characteristic of Chapter III in Volume IV of Shodo Kikimimi Sekenzaru was pointed out for the first time that the humor of characters rises from the combination of drama and the public culture of the Edo Period.

关 键 词：江户时代 上田秋成 浮世草子 净瑠璃 谣曲 

分 类 号：H36[语言文字—日语]