中国古代图案艺术中的重复图案  

The Inspiration of Ancient Chinese Repeated Patterns

作　　者：宋漾[1] 

机构地区：[1]南通大学艺术学院,江苏南通226007

出　　处：《南通大学学报（社会科学版）》2015年第2期88-92,共5页Journal of Nantong University:Social Sciences Edition

基　　金：教育部人文社会科学研究项目(09YJA760021)

摘　　要：以符号学方法重新勘察中国传统图案艺术,有利于廓清重复图案的内涵。在符号解构观中,作为符号的重复图案意味着不在场构成在场的原本境域构成,任何有符号特征的图案都是内在结构性的重复图案;中国古代图案艺术中大量的二方连续、四方连续等外观形式上的重复图案,体现的是作为符号艺术、实用艺术的图案艺术的重复本性。中国传统图案艺术具有绘画艺术不可替代和超越的符号性、实用性、艺术性、类文字性、文化源头性的综合价值。This paper adopts the method of general phenomenology and semiotics to re-investigate and comprehend the art of traditional Chinese pattern designs and proposes the new concept of ＂repeated patterns＂. In semiotic deconstruction, the concept of repeated patterns as signs means that absence constructs presence——the repeated patterns constructed in the real order——any patterns with semiotic features are inherently structured as repeated patterns; the prevalent two-sided continual and quadrilateral continual patterns in ancient Chinese designs manifest the nature of repeating in pattern art as semiotic art and practical art. Traditional Chinese pattern art has a symbolic nature which can not be replaced and transcended by painting, and a synthetic value of practicability, artistry, quasi-textuality and cultural originality.

关 键 词：符号学方法 中国传统图案艺术 重复图案 

分 类 号：J522[艺术—艺术设计]