南京大屠杀的再现方式与文学表达——以张恨水的小说《大江东去》为视点  

The Representation and Literary Expression of the Rape of Nanking——With Zhang Henshui's Novel River of No Return as an Example

作　　者：王霞[1] 

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《北京科技大学学报（社会科学版）》2015年第1期69-73,共5页Journal of University of Science and Technology Beijing(Social Sciences Edition)

基　　金：教育部人文社科基金青年项目阶段性成果(批准号:13YJC720024);教育部云南省哲学社会科学规划项目阶段性成果。(项目批准号:QN2013050)

摘　　要：南京大屠杀的再现方式有史实性的历史编纂方式、影视的再现方式、文学的再现方式以及纪念馆的再现方式等。对于南京大屠杀的再现,需要在史实性再现与影视、文学等隐喻性再现之间取得平衡,既表现出国家的灾难、人性的裂变,又能抚慰创伤、振奋民族精神。张恨水的长篇小说《大江东去》以虚构与写实相结合的方式,再现了南京大屠杀的惨烈场景,也塑造了以孙志坚、江洪为代表的军人形象,体现了国难当头时其爱国情怀与反抗精神,起到了振奋民族精神的作用。There are many ways to represent the Rape of Nanking,such as historiography,literature,the film and television,the memorial,etc. For the representation of the Rape of Nanking,we should achieve balance between historical representation and metaphorical representation such as literature,film and television. What＇s more,the representation should show national disaster,fission of human nature,and can console the people,and rouse national spirit. With the way of fiction and realism,Zhang Henshui＇s novel River of No Return represented the horrific scene of the Rape of Nanking,and shaped military images such as Sun Zhijian,Jiang Hong,etc. and recreated their patriotism and rebellious spirit which can rouse national spirit.

关 键 词：南京大屠杀 再现 文学 张恨水 《大江东去》 

分 类 号：I206[文学—中国文学]