色艺俱绝:元代戏曲演员之品评  

All of Wonderful Beauty and Act : Evalution of Performers of Traditional Opera in Yuan Dynasty

作　　者：王德兵[1] 

机构地区：[1]皖西学院文化与传媒学院,安徽六安237012

出　　处：《新疆艺术学院学报》2015年第1期64-67,共4页Journal of Xinjiang Arts University

基　　金：江苏省高校研究生科研创新计划项目"明清戏曲美学范畴研究"(CXZZ12-0884)成果之一

摘　　要：元代戏曲论演员表演,主要是从天赋姿容和才艺技能两方面品色论艺。元代的戏曲表演理论主要有元初曲论家胡祗遹在《黄氏诗卷序》中提出的"九美说"、燕南芝庵的《唱论》和夏庭芝的《青楼集》。"九美说"成为元代演员色艺的审美标准;《唱论》是总结和研究演员演唱技巧的专论;《青楼集》是色艺品评元代女艺人的审美实践。论演员的色艺体现了元代对于戏曲表演"声""色"之美共同的审美诉求,"色艺俱绝""色艺无比"之类的评语,成为品评元代戏曲美学的第一个基准。The drama of Yuan Dynasty of the actors performing mainly comments the ideas of beauty and act from two aspects of the talent looks and talent skills. The theory of drama performance in Yuan Dynasty mainly had been put forward＂Discourse upon Nine Beauty＂in＂ Huang Shi Volume Order＂by Hu Zhiyu,the drama theorist at the beginning,and＂On Singing＂ by Yan Nanzhi,and＂the Collection of Brothels＂from Xia Tingzhi. ＂The Theory of Nine Beauty＂has become the aesthetic standard of the ideas of beauty and act of Yuan Dynasty actor;＂On Singing＂is a monograph on the summary and studies the actor singing technique;＂The Collection of Brothels＂is aesthetic practice on evaluation female artist on the ideas of beauty and act in Yuan Dynasty. The ideas of beauty and act on the actor embodies the common aesthetic appeal in Yuan Dynasty for the opera performances on the beauty of ＂sound＂ and ＂countenance＂, such comments on＂all wonderful of beauty and act＂and＂countenance and skills incomparable＂,became the first reference to judge the Yuan Dynasty opera aesthetics.

关 键 词：色艺 元代 戏曲 演员 品评 

分 类 号：J812[艺术—戏剧戏曲]