由清代画学文献管窥清代绘画的发展  

The Qing Dynasty Literature in Qing Dynasty Painting of Speculative Painting Development

作　　者：易善炳[1] 

机构地区：[1]喀什师范学院艺术系,新疆喀什844008

出　　处：《喀什师范学院学报》2015年第2期72-75,共4页Journal of Kashgar Teachers College

摘　　要：画学文献是绘画发展的重要组成部分,是反映历史某一时期绘画发展的重要参照。清代画学文献打破了前代的格局,在画学思想上显得更为自信,更为主观。但近代的画学研究对清代绘画持一种指责的态度,认为清代绘画是中国画断脉疲敝之根源。然从画学文献考证来看,清代绘画,既没有脱离传统也没有固步自封,有其新的特点和独到之处。Painting literature is an important part of the development of the painting,which is a period reflect history painting development important reference. The Qing dynasty painting literature broke the previous generation pattern,the painting thoughts appeared more confident and more subjective. But modern painting studies in the Qing dynasty painting have an accused attitude, they think the Qing dynasty painting is the root of Chinese painting broken veins. But from the painting literature research to see ,The Qing dynasty painting, neither from traditional nor to be conceited, it has new characteristics and unique feature.

关 键 词：画学文献 清代绘画 传承与创新 

分 类 号：J209[艺术—美术]