石窟寺文物数字化的内涵——融学术、技术、艺术于一体  

The Meaning of Digitalizing Cultural Relics in Cave Temples——The Integration of Learning, Technology, and Art

作　　者：吴健[1,2,3,4] 

机构地区：[1]敦煌研究院数字中心,甘肃敦煌736200 [2]国家古代壁画与土遗址保护工程技术研究中心,甘肃敦煌736200 [3]古代壁画保护国家文物局重点科研基地,甘肃敦煌736200 [4]甘肃省古代壁画与土遗址保护重点实验室,甘肃敦煌736200

出　　处：《敦煌研究》2015年第2期125-129,共5页Dunhuang Research

基　　金：国家科技支撑计划课题"面向文化旅游的丝绸之路(中国段)文化遗产数字化及关键技术集成研究"(2012BAH43F02)

摘　　要：本文从学术、技术和艺术角度详细阐述了石窟寺文物数字化的内涵。首先,敦煌石窟数字化学术是基础,了解敦煌学知识,挖掘学术价值,依据文物保护法,采用科学的文物保护理念,利用摄影与计算机理论知识制定数字化方案,指导实际工作;其次,要制定数字化的工作流程和标准规范,不断地引进新的技术,利用多种技术手段对石窟寺进行数字化工作,永久保存数据;最后,加强数字化成果的应用,拓展思路,以艺术为目的,将价值极高的敦煌石窟展现给观众。This article explores the meaning of digitalizing cultural relics in cave temples from the point of view of learning, technology, and art re spectively by creating a plan of procedure , monitoring progress , and assessing the value of digitalization to Dunhuang studies. With these goals in mind , this article seeks to： first , work out a digital plan using photography and computer technologies that follows the laws for the protection of cultural relics , applies a scientific philosophy of cultural conservation , understands Dunhuang , and explores the academic and learning value that underlies this digitalization work. Second, to create digital workflows and standards, introduce new technologies, and apply various techniques to implement the proposed plan and preserve the data permanently. Finally, to strengthen the use of digital results, expand our way of thinking, and exhibit the Dunhuang caves to audiences for the purpose of art.

关 键 词：石窟寺数字化 学术 技术 艺术 

分 类 号：K879.21[历史地理—考古学及博物馆学]