论李碧华的轮回叙事  

On Li Bihua's Samsara Narratology

作　　者：凌逾[1] 

机构地区：[1]华南师范大学文学院

出　　处：《华文文学》2015年第2期77-87,共11页Literatures in Chinese

基　　金：国家社科基金后期资助项目"香港跨媒介文化叙事研究"(13FZW047)的阶段性成果

摘　　要：作家的影像思维和编剧身份能给小说叙事带来创意。李碧华借鉴好莱坞电影的时空快速切换法,正好与其善写的轮回穿越叙事契合,中西时空符号呼应。其善于向中国传统戏曲取经,善于将经典元素转世,化为当世新意,开辟出剧中剧叙事法。其让经典女性形象转世再生;然而女作家建构女性意识,总被男导演不经意解构,导致理念建构和叙事方式的差异。显然,轮回叙事能开拓出多元的新创意。The writer＇ s attention to image and his or her statue as a screenwriter link to the creation of narration. Li Bihua draws lessons from Hollywood movies and creates the method of fast switching time and space in her samsara narrative. She also absorbs the Chinese traditional opera and integrates new idea into the classic elements, and then explores the new narration of show-within-the-show. Moreover, she puts the classic image of women to the transmigration narration. However the women＇ s consciousness which constructed by female writers was always inadvertently deconstructed by male directors. Obviously, the samsara narration can evoke the multivariate originality.

关 键 词：轮回叙事 穿越时空 剧中剧 性别转世 影像小说 

分 类 号：I207[文学—中国文学]