唐代律赋的声律遵从与避忌——兼与清代律赋相对比  

Conformation and Avoidance of Rhymed Fu in Tang Dynasty

作　　者：赵俊波[1] 

机构地区：[1]四川师范大学文学院,成都610066

出　　处：《辽东学院学报（社会科学版）》2015年第2期20-25,共6页Journal of Liaodong University：Social Science Edition

基　　金：四川师范大学2013年重点培育项目(2013pyw003)

摘　　要：本文在邝健行先生的相关论述基础上,探讨了唐代律赋的声律要求。唐律赋写作遵从相间、相对的声律规则,避免四病,尤其是上尾和鹤膝。其中蜂腰的特殊形式可以被宽容;鹤膝分单对和隔对,唐人尤重回避隔对中的鹤膝。而讲求四声而非平仄,则使作品声律多变,这与清人的律赋写作形成了鲜明对比。The requirements for rhythm of rhymed Fu in the Tang dynasty are discussed based on the study of Kuang Jianxing. The rules of word matching are obeyed in writing rhymed Fu in the Tang dynasty, by which some rhythm mistakes can be avoided. The four tones of classical Chinese phonetics are particularly stressed thus the rhythm of the Fu works to be changeable, which is clearly different from those in the Qing dynasty. making

关 键 词：唐代 律赋 声律 

分 类 号：I222.4[文学—中国文学]