色彩表现与艾青诗歌的审美特征  

Color Expression and the Aesthetic Features in Ai Qing's Poems

作　　者：尹成君[1] 

机构地区：[1]北京语言大学艺术学院,北京100083

出　　处：《天津大学学报（社会科学版）》2015年第2期150-155,共6页Journal of Tianjin University：Social Sciences

摘　　要：艾青在中国现代文学史上是一位独具特色的、有着丰富绘画经验与丰厚艺术修养的现代抒情诗人。他独特的艺术创作经历与体验,为其诗歌风格带来别样的特征。他在巴黎的绘画学习经历,无疑让他直接探触到西方现代艺术精神和艺术特色,尤其是印象派艺术对于"光"与"色"的强调,对其诗歌创作影响更为鲜明。艾青被称为"吹芦笛的诗人",一个"从彩色的欧罗巴"带回了彩色的诗的中国的歌者。他的诗中有意味的色彩表现,深化了他诗歌的审美深度与广度,为人们创造了一个"有意味"的、充满了色彩想象与审美意象的广阔空间。Ai Qing in Chinese literature history is a lyric poet with strong personal style , rich painting experience and pro-found cultivation in art .His unique experience in artististic creation endows his poems with obvious chracteristic features . His experience of learning painting in Paris renders him direct contact with Western modern artistic spirit and style , in which Impressionism with its emphasis of “light” and“shadow” has even greater influence on his poem writing .Ai Qing is dubbed as a “poet blowing reed pipe”, a Chinese singer who brings back colors from“colorful Europe”.His meaningful color expression in poems widens and deepens the aesthetic dimensions of poetry and creates a “meanningful” space full of color imagination and aesthetic imagery .

关 键 词：色彩表现 热烈的忧郁 复调 紫色的灵魂 审美深化 

分 类 号：I106[文学—世界文学]