李贺诗歌通感表现手法探析——以“讽刺帝王求仙”类为对象  

Li He's Poetry Performance Practices of Synesthesia——With "Irony Emperor Immortality" Class Object

作　　者：陈红梅[1] 胡健[1] 

机构地区：[1]云南师范大学文学院,昆明650500

出　　处：《六盘水师范学院学报》2015年第2期5-10,共6页Journal of Liupanshui Normal University

摘　　要：从诗歌理论角度而言,通感是一种诗歌表现手法。历朝历代诗歌作品,都一定程度运用了通感创作手法。至中唐时李贺的"讽刺帝王求仙"类诗歌,完美运用通感手法为"讽刺"主题服务,其中以《瑶华乐》、《金铜仙人辞汉歌》、《秦王饮酒》、《拂舞歌辞》为代表,因运用通感手法浑融有道而具有超现实意味,蕴含了李贺诗歌创作的"无意识"。From the theoretical point of poetry , synesthesia is a poetic way. Classical poetry, to some extent, employs the use of a sense of creative techniques. Li He,s ＂Ironically imperial Immortality＂ poems in the Tang Dynasty is a perfect sample of using synesthesia , among which the ＂Yaohua Yue＂, ＂Bronze Statue Leaving Han Song,＂＂King of Qin drinking＂ and＂Whisk Dance Songs＂are the representive four poems, due to the use of a combination of techniques of synesthesia surreal means having a proper way, contains the po-etry of Li He＂unconscious.

关 键 词：李贺 讽刺帝王求仙 通感手法 超现实 无意识 

分 类 号：I206[文学—中国文学]