空间的表征:《小伙子布朗》对生存整体的探问  

Presentation of the Spaces:Concern over the Wholeness of Existence in Young Goodman Brown

作　　者：蒙雪琴[1] 张琴[1] 

机构地区：[1]四川师范大学外国语学院,成都610101

出　　处：《四川师范大学学报（社会科学版）》2015年第3期115-121,共7页Journal of Sichuan Normal University(Social Sciences Edition)

基　　金：2010年度国家社科基金西部项目"纳桑尼尔.霍桑的影响力研究"(编号:10XWW008)的阶段性成果

摘　　要：美国19世纪上半叶浪漫主义代表作家纳桑尼尔·霍桑的短篇小说代表作《小伙子布朗》通过被宗教伦理浸润的社会空间、闹鬼的森林空间及人物心灵空间的呈现、对立与互动,形象而艺术地展现了布朗所生活的那个清教文化社会空间通过规训、监控、惩罚等体系对生活于其中的人心灵的强大掌控;表现出作家从生存问题的本体论意义上对人在宗教文明状态下生存的深入探问,是对人生存整体、价值结构、人生境界等的深刻忧思。这样的空间呈现,与现当代空间批评理论的空间意蕴相似。Young Goodman Brown by Nathaniel Hawthorne, the first half of the 19th century American romantic representative writer, demonstrates vividly through the presentation, interaction and contrast of a social space drenched in the religious doctrines, a haunted forest space and the mental space of the protagonist how the puritan social space controls powerfully the minds of the people living in through its complete system of disciplines, surveillance and punishment. This is the writer＇ s profound exploration into man＇ s existence in the religious civilization, embodying his concern over the wholeness, values and conditions of man＇ s existence in the sense of the existential ontology. Such presentation of spaces reveals similar spatial concepts to those of the contemporary spatial criticism.

关 键 词：空间批评 纳桑尼尔·霍桑 《小伙子布朗》 生存整体 

分 类 号：I712.074[文学—其他各国文学]