影像屈原的建构与批评  

On the Construction and Criticism of the Image of Qu Yuan

作　　者：刘伟生[1] 

机构地区：[1]湖南工业大学文学与新闻传播学院,湖南株洲412007

出　　处：《湖南第一师范学院学报》2015年第2期76-82,88,共8页Journal of Hunan First Normal University

基　　金：教育部人文社会科学研究规划基金项目(13YJAZH055);湖南省哲学社会科学基金项目(12YBA116)

摘　　要：影像屈原的建构既要有多元充足的类别与生动丰满的个案,也要尽可能让一些经典个案富含多层的意蕴。影像屈原体类建构的主流目标应该是正格的历史悲剧。从悲剧主体来看,它既是个人命运的悲剧,也是国家民族的悲剧。从悲剧本身的类别与层次来看,它既是社会政治的悲剧,也是历史文化的悲剧与道德理想的悲剧。影像屈原的构建终归要落实到叙事艺术上来,其中重点是人物形象的塑造、情节结构的安排与话语方式的讲求,要注意历史与逻辑的统一、宏观与微观的结合、文学与影像的互动。The construction of the image of Qu Yuan requires multiple abundant classification and vivid colorful individual cases, and also endows multi-dimensions of meanings to some classical cases. The main purpose of the con-struction of the image of Qu Yuan and such kind of images should be formal historical tragedies. From the subject of the tragedy, it is not only an individual’s tragedy, but also the tragedy of the nation. From the type and level, it is a so-cial and political, historical and cultural, moral and ideal tragedy. The construction of the image of Qu Yuan finally will be demonstrated by narrative art with the emphasis on the shape of image, organization of the plots and ways of dis-course. Historical and logical unity, macro and micro integration, literary and image interaction should be paid atten-tion to during the process.

关 键 词：戏剧 电影 电视 屈原 

分 类 号：I207.3[文学—中国文学]