独具匠心——日本视觉空间装裱艺术的创新与异化  

Have Great Originality——Innovation and Alienation of Mounting Art in Japanese Visual Space

作　　者：赵莉[1] 

机构地区：[1]甘肃省博物馆

出　　处：《雕塑》2015年第2期54-55,共2页Sculpture

摘　　要：装裱艺术自唐传入日本后,直到江户时代为止,无论是从技术手段和形制上都处于模仿、改进阶段。日本民族是善于不断吸收和改变外来文化的,随着现代主义思潮的影响,日本现代装裱的理念、形制、材质的选择以及新技术的运用都有很大的突破,可以说是真正意义上的"大和表具",值得我们装裱艺术行业分析、借鉴。Since the Tang Dynasty, mounting art was introduced into Japan, until the Edo period, its technical means and forms were still associated with the stage of imitation and improvement. Japanese were good at learning from other countries and also good at changing foreign culture. Because of the influence of Modernism, there was a huge breakthrough occurred in the conceptions, forms, materials and application of new skills in relation to Japanese modern mounting art, it could be regarded as a kind of real “Yamato mounting art”, and it is really worth researching.

关 键 词：形制 装裱艺术 视觉空间 

分 类 号：J211.7[艺术—美术]