追本溯源——论汉阳陵陶俑艺术的意象精神启示  

Trace to its Source——Discussion about the Enlightenment with Regard to the Imaginative Spirit of Pottery Figurine Art in Yang Mausoleum in Han Dynasty

作　　者：张菊芳[1] 欧阳振宇[1] 

机构地区：[1]西安交通大学

出　　处：《雕塑》2015年第2期58-59,共2页Sculpture

摘　　要：由于西方雕塑的参与,使进入现当代的中国雕塑,目前呈现出偏离甚至混乱的传统雕塑价值观的局面。原本优秀的传统中国雕塑在本土却被排斥于主流之外,使得传统中国雕塑一直处在边缘化的境地。当代中国雕塑发展的过程是效仿、妥协于西方雕塑艺术的过程。不断地西化的手法给造型艺术实践和民族精神带来冲击性的影响,这不得不让我们反思。本文拟从意象精神的角度,分析汉阳陵陶俑艺术的内容、风格及蕴含的意象美学特征等,探究传统中国雕塑艺术理论,重新审视传统与现当代之间的关系。Due to the partidpation of western sculpture, so that there is a kind of disorder and deviation situation that subverted traditional sculptural values occurred in Chinese contemporary sculpture. The traditional excellent Chinese sculpture had been excluded from mainstream, it had been placed in a marginalized position. The developmental process of contemporary sculpture is a sort of process that related to compromise and imitation about western sculpture. The continuous westernized methods had already affected the modelling methods and national spirits greatly. This kind of situation is really worth rethinking. From the perspective of imaginative spirit, this article discusses the contents and aesthetical conceptions of pottery figurine art in Yang mausoleum in Han Dynasty, in order to explore the traditional art theory of Chinese sculpture, then to re-examine the relationship between tradition and modern.

关 键 词：传统中国雕塑 意象 陶俑 写意 

分 类 号：J305[艺术—美术]