“革命人”与文学自由——革命文学论争视野下的文学主体论  

Revolution and the Literary Freedom——On the Subject of Revolutionary Literature Controversy Perspective

作　　者：燕世超[1] 

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《韶关学院学报》2015年第3期15-18,共4页Journal of Shaoguan University

基　　金：教育部人文社会科学重点研究基地重大项目"马克思主义与中国20世纪文学理论的发展研究"(2009JJD750009)

摘　　要：要从事革命文学,首先要做"革命人"。要对中国社会和中国革命有正确的认识,就要参加社会实践,能够运用马克思主义理论科学地分析中国社会和中国革命,对中国革命有深切感受,还要敢于正视现实和黑暗。文艺是独立的,但文学家却是不自由的;文艺应该通过竞争获得发展,但在险恶的政治环境下,自由竞争又是不可能的;左翼作家要团结"同路人",不应以非此即彼的方式排斥他们。To engage in revolutionary literature, the first thing ＂revolutionary people.＂ To Chinese society and the Chinese revolution have a correct understanding, it is necessary to participate in social practice, be able to apply the Marxist theory of social scientific analysis of China and the Chinese revolution, the Chinese revolution has deep feelings, but also the courage to face reality and darkness. Literature and art are independent, but the writer is not free; literary should grow through competition, but in the sinister political environment, free competition is impossible;left-wing writers to unite＂fellow traveler＂, this should not be a non-Ji Bi way exclude them.

关 键 词：文学主体 “革命人” 文学自由 

分 类 号：I106[文学—世界文学]