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作 者:白友胜
机构地区:[1]亳州师范高等专科学校中文与传媒系,安徽亳州236800
出 处:《湖北第二师范学院学报》2015年第3期9-13,共5页Journal of Hubei University of Education
基 金:安徽省2010年省级质量工程项目特色专业语文教育(20101183)
摘 要:从"鬼吏形象"、"冥府制度"、"教化思想"等三个方面对《子不语》与《聊斋志异》进行对比,以探寻《子不语》在"冥府吏治"题材上对《聊斋志异》的继承发展及其意义。《子不语》塑造了众多贴近现实生活的"鬼吏",极大地丰富了鬼吏形象,也更客观地反映了当时社会的官吏形象。《子不语》中的刑罚,不是森严的制度,而是导人向善的"工具"。《子不语》中表现出来的对封建道德不合理现象以及对"命"与"理"的思辨,是袁枚跳出了当时社会封建道德约束的拘泥,对命运以及人生的一个深入的思考。袁枚通过《子不语》构建的"冥府"不仅从鬼吏形象等方面对《聊斋志异》有所发展,在反映当时社会现实方面,其更大胆更客观的笔触,更增加了作品的现实意义。This paper, from such aspects as the image of ghost officials, the system of Hades and domesticated thoughts, attempts to explore, on the basis of contrast between the two novels, the inheritance and development of You-Silence from another novel Strange Stories from a Chinese Studio. You-Silence which depicts many ghost officials who are close to the real society enriches the images of ghosts and reflects objectively the officials in the temporary society. And the criminal punishment in the novel You-Silence is not hierarchical system, but an instrument to guide people to the good. The irrational phenomena in the novel You-Silence written by Yuan Mei who was out of the control of the feudal morality of his times is the author' s meditation on life and rationality. The author constructs the ghost government which not only develops Strange Stories from a Chinese Studio but also reflects the temporary times; and the objective depiction of the reality of the times adds realistic significance to the works.
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