“非物质化”与“可持续性”——让·努维尔的两个设计作品及设计理念探析  

Dematerialization and Sustainability:A Study of Two Projects by Jean Nouvel and His Recent Design Ideas

作　　者：梁雪[1] 安东[1] 

机构地区：[1]天津大学建筑学院,天津300072

出　　处：《新建筑》2015年第1期83-87,共5页New Architecture

基　　金：国家自然科学基金资助项目(51078255)

摘　　要：通过分析和介绍2008年的普利兹克奖得主、法国当代建筑师让·努维尔设计的瑞士卢塞恩文化与艺术中心和法国巴黎"地平线"办公楼,总结了努维尔所追求的"非物质化"特征及"可持续性"建筑的设计理念。这里的"非物质化"主要探讨某种建筑材料与降低建筑感知度之间的关系。努维尔试图通过玻璃和光线之间所形成的某种透明性和反射性效果,达到在城市中心区"缩小"建筑体量的目的。最后探索了努维尔对现代主义设计理念的继承和发展。This article summarizes the design concept of dematerialization and sustainable building based on an analysis of two projects, the Cultural and Congress Center in Lucerne and the “Horizon” Building in Paris, designed by Jean Nouvel who is a contemporary French architect and won the Pritzker Prize in 2008. First, dematerialization makes the relationship between the material and the building less tangible. Second, with transparency and reflection, the results of the relationship between light and glass, it is aimed to “reduce” the mass of building in downtown. At last, Nouvel＇s recent design ideas are explored.

关 键 词：让·努维尔 卢赛恩文化与艺术中心 巴黎“地平线”办公楼 非物质化 可持续性建筑 

分 类 号：TU-023[建筑科学—建筑理论]